His comedy is counterprogramming—postmodern entertainment but with a political purpose. As truth has been overrun by truthiness and facts trampled by lies, he and The Daily Show have become an invaluable corrective—he’s Cronkite, the most trusted man in America, although in keeping with the fragmented culture, he’s trusted by many fewer people, about 1.8 million viewers each night.
The more we got to meet people [in the media], it was—‘Oh! You’re f&@ing retarded! You don’t care!’ The pettiness of it, the strange lack of passion for any kind of moral or editorial authority, always struck me as weird. We felt like, we’re serious people doing an unserious thing, and they’re unserious people doing a very serious thing.